Barbara Mink

I was so pleased to be alerted to an article in Buffalo Rising newspaper which was a complete surprise. A local art mover and shaker noticed that my brother Symon had hung a Giclee print of koi from years ago on his balcony wall in the heart of Elmwood Village. The reviewer was very taken with the idea of displaying personal art for the public. I wrote him a note saying that my brother and I were following in our father’s footsteps. He updated the article, and voila! Text and pictures below. https://www.buffalorising.com/2020/07/buffalo-easter-eggs-ii/ A few days ago I posted on a special  Buffalo Easter Egg  that I came across during a walk in the Elmwood Village. Today I’m posting another Easter Egg in the form of a work of art adhered to the facade of a house. What I especially find interesting about this is that due to COVID-19, there is a dearth of art opportunities at hand. With shuttered galleries and studios, art does not abound as it once did. Therefore, public art ha...

So nice to see large Event Horizons canvases up on white walls with good lighting at State of the Art. Wonderful opening, thoughtful review of show by Arthur Whitman http://thethinkingi.blogspot.com/2009/11/mink.html. I don't agree with his take on the large 'You Can't Win" canvases; for me the carving out of negative space was an integral part of the process, not a mistake. But he was right about the "lightness" of Hubble's Bubbles. Overall, it's rare to have thoughtful and comprehensive "readers", and a review becomes like a conversation. It's funny how once an approach has run its course, new directions open up. Current work much flatter, more free, while maintaining some of the pouring approaches of before. I don't think I could ever be like those painters who find one style that's commercially successful and stick with it for the rest of their lives; experimentation and growth is what makes this fun.